Course materials for/by Peter L. Patrick. May contain copyright material used for educational purposes. Please respect copyright.

 

Developing Interview Modules

By Peter L Patrick

For LG554, Univ of Essex

 

(This assignment is a good choice to pair with the Descriptive Report assignment)

 

The task

In this assignment you will:

o        Become familiar with the interview module, a coherent set of carefully scripted, vernacularly-phrased questions which build on local knowledge. The modules are used in the sociolinguistic interview.

o        Work on two modules: revise an existing one from Q-GEN-II; develop your own new module; and/or administer the famous 'Danger of Death' module. (Do TWO of these things.)

o        Use your chosen modules in a sociolinguistic interview.

o        Report on them in the Module Report.

 

Length: As with all our assignments in LG554 and 654, you should write a report of 1500 words or more. I will not penalise reports of up to 3000 words, but if you can express yourself clearly in 1500, please do. Under-length (ie, under-1500 words) reports may suffer from lack of content and be marked accordingly.

 

The sociolinguistic interview module materials (Q-GEN-II) were developed by William Labov in New York City and Philadelphia in the late 1960s and early 1970s. Q-GEN-II, and its descendants, are the model we test here.

o        Q-GEN-II is available in Spicer Library.

o        For an introduction to Q-GEN-II see this link. 

o        Selected modules are also available online here.

 

Begin by reading Labov 1984. The key discussion of the development and use of modules is on pp 33-39:

o        Labov, William. 1984. Field methods of the Project in Linguistic Change and Variation. In John Baugh and Joel Sherzer, eds., Language in use, pp28-53. Englewood Cliffs: Prentice-Hall.  [XD 6086]

If you can’t get hold of a library copy, I can lend you a copy of it.

 

The purpose of the modules, in a nutshell, is to retain some of the advantages of the survey interview –

§         repeating questions that work

o       in identical form,

o       and even order

§         [though the order of modules is flexible, ordering of questions within them is generally stable]

§         identically across a sample population,

§         testing and controlling these elements tightly –

while moving in the direction of everyday conversational norms and profiting from ethnographic observations–

§         using vernacular forms of speech,

§         focusing on locally-relevant topics,

§         incorporating natural topic development into the module structure,

§         modelling the role of the IVer on conversational co-participants (not eg journalistic or social-science interviewers), in terms of

o       length of utterances,

o       form of utterances (many will not actually be in interrogative forms),

o       values or assumptions embedded in utterances, and

o       speaker involvement displayed by IVer.

In short, the modules are the heart of the sociolinguistic interview, which is a special type of semi-structured interview.

 

The sociolinguistic interview is designed, and admitted, to be neither a classic structured survey interview nor a spontaneous conversation, and this is its strength. The flexible but systematic interview modules, and many of the individual questions, that we will take as models were highly developed and refined by use in hundreds of interviews. Of course, most of them were designed years ago, for very different cities in another country – they were very ethnographically relevant for their time and place, but may not be for ours.

Our goal is to learn to adapt them, following the principles of their creation for what they’re worth, indulging in criticism only for practical reasons:- to improve them as tools.

But obviously not all are suitable for investigation in Essex. For example:

·          Some subjects (and expressions) are highly/distinctively local to NYC or US East Coast cities

·          Some subjects (and expressions) are out-of-date, or regionally inappropriate

·          Many were developed for use among white ethnic, urban, working-class populations, which may not be the focus of your investigation.

·          Many were designed for use by a male investigator who was from the same region, and intimately familiar with the cities, being investigated – thus maximised a "shared knowledge" which you may or may not be able to claim.

 

Revising Q-Gen-II Modules, and Developing New Ones

Your assignment is to develop new modules on important topics, following the principles evident in Q-GEN-II and Labov 1984, and discussed in class. Thus while the Philadelphia/NYC items can’t be transplanted, one of our goals is to discover similar items of local importance – here in Essex (or wherever you are applying them). You should try to contribute at least one new module based on discoveries made in the field.

You may also select pre-existing (Q-GEN-II) modules to revise, or use as inspiration, for your own use. As with new modules, revisions can’t be made in the abstract, but must be based on attempts to use modules in actual interviews.

Ž          What worked? What didn't?

Ž          What question, perhaps not in the module, came up repeatedly and should be added?

Ž          What choice of wording proved unsuitable? What terms of reference did interviewees use that we should adopt?

 

The point of the exercise is not to mirror what you actually did – unless that happens to coincide with what really works! – nor is it to create a module suited to your personal interactional style (that’s the kind of adjustment you make on the spot, instead). What you should be doing is

·                  Improving & developing a tool versatile enough to be used by IVers different from you;

·                  Localizing questions to Essex issues and community experiences; and

·                  Incorporating knowledge you’ve gained in IVs into the form of the questions.

·                  Think not in terms of justifying your own results, but of

o       Contributing to a project bigger than your own,

§         One that includes future researchers and students.

 

Some revisions will be largely content-based.

o        For example, the topic ‘Fights’ nowadays could bring up the question of knife or gun use: should you just add "guns" to the CheckList (CL) in Q-Gen-II, Module 3, 1.2? or is more required?

o        Do the questions in Q-Gen-II, City Services, Module 13, cover the important issues for this area?

o        Should you bother to ask the School questions (Module 15) of a recent immigrant non-native-English speaker? What school experiences of theirs might be (more) relevant? (How about adult English classes here?)

Answers to such questions may require you to completely redesign modules, or invent new ones. In doing this, be guided not by your own preconceptions but by the people you interview: what they tell you, what they don't say, their reactions to your questions. Also consider other local sources: local newspapers, radio chat shows, local history archives, local TV news.

After deciding on the subject of a new module, and selecting modules to revise, you should get together with other class members to draft and discuss new Qs or changes, each contributing their ideas. But that's only the first step. The second is to try them out in IVs. This is essential, since otherwise we won't know if your theories/ideas are of any value. Especially when trying out new Qs, try to stick to the form you came up with – or, again, we'll be unable to evaluate them.

Ideally, each new or revised module should get more than one trial, i.e. be used by more than one person or in more than one interview. It's a good idea to develop modules together with someone else in the class, and both use them in your interviews. Each person should submit a separate Module Report, though.

 

Principles of Q-GEN-II

Make certain your new/revised questions follow the principles of Q-GEN-II:

·          Tightly organized, essential questions on coherent topics of great interest to the community (and thus, to us)

·          Brief, pithy questions that go right to the heart of the matter, and ELICIT opinions rather than expressing your own (unspoken) attitudes

·          Questions ordered in a sensible sequence, to closely approximate natural conversations as they might be conducted by community members

·          Questions that stimulate particular speech events or genres (personal narratives, childhood recollections, political opinions, strong social norms and mores likely to be expressed in the language of emotions)

·          Questions that follow the principle of feeding back local knowledge, assumptions and attitudes:

·          that presuppose what IVees presuppose,

·          call things what IVees call them, and

·          indicate an "insider" stance where that's appropriate.

 

Reporting on the New/Revised Modules should occur in 2 stages.

1) The draft stage consists of drawing up new Qs (or Qs revised from Q-GEN-II) to test.

At this point, you’ll bring them to class and share them with us for suggestions, also emailing me a copy.

 

2) You may begin testing them now in an interview (don’t wait until you get feedback).

Once you've used them in an interview, revise them based on that experince, and then use the revised form in your following interviews.

 

At some point in the term I’ll ask you to report orally to the class on a module you’ve devised:

·          For New modules, bring in your first draft of the questions (and also the final form, revised after testing it in one or more interviews, if you’ve been able to do this).

·          For Revised Old modules, bring in a copy of the Old (e.g. Q-Gen-II) form and the Revised one, or some other way of highlighting easily the changes you’ve made. Make significant changes! not just a word here or there -- or else create a brand-new module.

·          In either case: a brief account of how the first version worked (and/or, for New ones, of the IV discussion which suggested the topic to you – if that’s how you thought of it),

·          and an account of your attempts to refine it, also with any actual quotes transcribed from you or the IVee.

·          Also, play a short section of a recording for us, illustrating the module in action.

 

Use the Modules in a Sociolinguistic Interview

You will now conduct at least one sociolinguistic interview, and use your modules in it. (See other class materials about conducting interviews.)

o        It should be a complete interview, even if it is not a long one. That is, you cannot just begin with the first Q of your module (unless it is designed to be an introductory module, e.g. Demographics, Q-GEN-II #1) – the interview must have an appropriate beginning, development, and conclusion.

o        You should conduct the ethical release procedure with your subject, using the ELLP Release Form.

o        You should fill out an Interview Report Form.

o        Of course, use your Modules in it! You will not read them, as you will have memorized them.

o        If you use the Danger of Death module, you may use just the chief sections 1, 2 and 3. You'll have to think about when is the right moment in an interview to use it – are both you and the speaker comfortable? Is there evidence of rapport, of a conversation-like flow? How will you transition into this module? What will you do if you don't get the desired response: push, wait, move to another module?

o        Be sure to make a good-quality recording, and label it properly.

o        If you have the oportunity, do a follow-up interview with a different speaker belonging to the same speech community. Use the revised module (ideally after your Analysis, below) and see if your performance improves.

 

Analyze Your Use of the Modules

o        You will then listen back to and reflect on the interview, noting how you used the modules and how the speaker reacted.

o        It's a good idea to transcribe the section of the interview which used the modules in question. At the very least, transcribe your utterances and compare them to the module as you wrote or revised it: how closely did you follow what you had planned to say? What did you change? Did you p[ause, stumble or stop and reformulate your questions? Did you repeat yourself or elaborate? Did you give the speaker enough time to answer? What back-channel signals, if any, did you provide? Did you take up an insider or outsider stance? Did you make use of any shared knowledge?

o        How exactly did they respond? Were their responses minimal, or elaborated? Were they (un)willing? Fluent or halting? (Un)Enthusiastic? Did either of you overlap (interrupt) the other? Did they produce a narrative, or introduce a new topic (tangent) of their own? Did you limit their speech, or let them go?

 

Module Report should include comments on modules you’ve worked on. At least:

§         Give basic information on the interview(s) you used them in. It's fine to report on just one interview, though if you have interesting changes or improvements in a second one, that would also be good to tell us about.

§         Refer to relevant recordings and transcriptions of key moments, and your analysis of the exchange, addressing the questions above.

§         Please note and discuss any IVer “blunders” (see Briggs 1986).

§         Describe the IVee’s tone, expression or gestures at significant moments in use of the module.

§         Give correct Recording and IV Numbers (you will be shown how to write these),

§         and give or email me a copy of your (digital) recording,

§         and include a counter-number or time-code location for any parts you transcribe or discuss,

§         so that someone else (me!) can find and listen to it easily.

§         Include a copy of the relevant IV Report Form, and the ELLP Release form.

§         Discuss how the subject of the module relates to larger concerns of the interview community – please ground this firmly in what people have actually told you, or you have observed.

§         If you performed the Danger of Death module, please reflect on it, using these questions as a guide.

§         What is the significance of the Danger of Death topic to the speaker? What themes did it evoke? Did it suggest directions you might want to pursue in future interviews? Did you pursue any?

§         What is its significance to you as a sociolinguist? Why do we use it in interviews?

§         Why did it work to elicit vernacular speech for Labov in New York City? (See Labov 1966, or 2006 rev. ed., as needed)

§         Why have some other researchers criticised its usefulness? (See eg Wolfson 1976 and references on p47 of Macaulay 2009)

§         Which of these experiences did your own resemble? Why do you think that was?

§         What are the implications for researchers collecting vernacular data in places different to NYC or Essex? Ie, what advice would you give to other sociolinguists, based on what you have learned? Make it general, principles adaptable to other circumstances.

§         If appropriate, comment on ability to use a local vernacular; detect appropriate speech events for performance in this speech community; and create appropriate contexts for such questions.

 

If you have chosen to write a Descriptive Report for your next assignment, the Module Report will lead nicely into it. You should not expect to duplicate the content of the Module Report in the Descriptive Report – just assume they form a set of documents to be read together as part of your general research report. Instead, you'll refer briefly to the Module Report at appropriate points in the Descriptive Report, and give correspondingly more time to other aspects of the latter.

 

Please now read fully the directions for the Descriptive IV Report.

 

Intro to Q-GEN-II

See sample modules

Details of Assessment for LG554

LG554 Sociolinguistic Methods page

Peter L. Patrick's home page

Last updated 20 September 2009